01
Color Palette
Eight colors. Five structural roles. Full material documentation — hex codes, contrast ratios, WCAG pairs, usage guidance. One color per role. No slot-doubling.
The Rouge Poster brand kit. Art Gallery collection, Kit number six. Inspired by the Toulouse-Lautrec Moulin Rouge poster series. If the font is big enough, you only have to say it once.
The Colors
Eight Colors.
Eight Colors.
Nothing Is Flat.
Flat-color approach, bold conviction. Each block is the color — no gradients, no material simulation. Just: THE COLOR. One word of material description each.
Line.
Charcoal Ink #2D2D30
Electric.
Absinthe #A8C43E
Warm.
Ochre Stage #C49548
Drama.
Midnight Velvet #1A1428
Paper.
Cream Playbill #F5EDD8
Ruffle.
Blush Cancan #E89AA5
Street.
Zinc Matte #7A7A7E
The Peel
The Wall Has Layers.
Back up at the hero. Two poster edges are curled — they're hiding something. Click or tab to any curled corner and peel it back. The palette is under the first layer. The typography is under the second.
That's the kit. Not ten bullet points. Three posters pasted on top of each other on a street you love. The best ones always reward the person who stops to look.
The wall has layers. Try the corners.
What's Inside
The Complete
The Complete
Brand System.
Everything your brand lives on — each file a poster. Bold. Complete. Nothing half-done.
02
Typography System
Jost exclusively. Every weight from Thin to Black. Scale, usage rules, hierarchy — the font IS the design for this kit. Maximum weight at maximum size. No apology.
03
Brand Board
The full identity at a glance — palette, type, tone, texture. One reference surface. The poster for your poster kit.
04
Social Headers
Profile and cover templates for LinkedIn, Instagram, Facebook, Pinterest. The poster aesthetic, scaled to every feed. Bold, flat, impossible to scroll past.
05
Link-in-Bio Page
A fully responsive standalone link page — ready to deploy. Charcoal Ink outlines. Flat color blocks. Her presence, before she says a word.
06
Color Combinations Cheat Sheet
Every approved pairing with contrast ratios. Nine body-text-capable pairs, thirteen large-text pairs. The boldest kit in the line — accessible from line one.
The Textures
Everything Is Material.
Everything Is Material.
Even the Flat.
These aren't just hex codes — each color carries a printing history. Lithograph. Letterpress. Screen-print. Aged paper. The textures are about what comes off a press, not what grows in a garden.
Cabaret Magenta
Flat matte lithograph print. Solid, opaque, no gradient. The color that doesn't hedge.
Charcoal Ink
Letterpress. Slightly embossed, visible ink density variations. The bold line that doesn't hesitate.
Cream Playbill
Old poster paper. Slightly yellowed, the ghost texture of printed-over-printed. Warm with history.
Zinc Matte
Smooth concrete or zinc printing plate. Industrial, flat, neutral. The street. The wall everything gets pasted on.
Absinthe
Screen-print neon. Slightly transparent where the ink is thin, vibrating. The color that crackles.
Ochre Stage
Aged paper with foxing spots. Warm and worn. The stage floor. The spotlight warmth. Grounding without being boring.
Midnight Velvet
Deep matte with the faintest grain. Like a dark stage curtain. The darkness before the lights come up.
Blush Cancan
Fabric texture. Like a ruffled petticoat — directional, light-catching. The personality without the punch.
She didn't need
ten bullet points. She needed
one good line.
The Lautrec Note
The Most Impactful
The Most Impactful
Poster Is Restrained.
"The most impactful poster is restrained. Fewer colors. One good silhouette. Everything at full volume." — The principle behind this kit
Lautrec invented modern branding. Logos, brand identity, visual advertising — he helped build all of it. The technique is deceptively simple: strong outlines, flat color, limited palette. Maximum impact from minimum elements.
This is the page that doesn't apologize for taking up space.
Cabaret Magenta
Charcoal Ink
Absinthe
Midnight Velvet